Interval Proving Structure – Alex Ward | Fine Art Print to Pinterest (opens in a new window)

Interval Proving Structure – Alex Ward | Fine Art Print

Price range: $129 through $229

  • Made to orderPrinted for you by our partner lab
  • Free US shippingContinental US, no minimum
  • Secure checkoutEncrypted payment
Sizes & materials

Cotton-polyester canvas with a matte coating, stretched on a 1.25 in (32 mm) pine frame. The image wraps the sides, so there is no white border at the edge, and it arrives ready to hang — no framing, no glass, no extra bill.

Sizes: 16 × 12 in · 24 × 18 in · 32 × 24 in.

Delivery

Made to order: your piece is printed after you buy it, which takes up to 10 business days and usually less, then ships ready to hang.

Shipping is free everywhere in the continental United States, with no minimum. Alaska, Hawaii and the US territories are a flat $12. We also ship to 33 countries, including Canada, the United Kingdom, Germany and Australia, at a flat $29, shown at checkout. Downloads are available worldwide.

Returns

If a print arrives damaged, or is not what you ordered, tell us within 14 days and we will replace it or refund you in full. Because every print is made to order, we cannot accept change-of-mind returns on printed pieces.

Questions before you buy? Ask Sophie.

Why this one

Every block holds an edge except one. That one is the whole picture.

“Twelve shapes anchored. One floating. Remove the floater and the depth collapses entirely.”

Alex Ward, on the piece

The critics8.0 / 10 average

  • Charlotte7 / 10While expertly crafted, it doesn't quite command a second glance.
  • Valentina9 / 10A masterful execution of hard-edge geometric abstraction with perfect proportions and balanced intervals.
  • Ruby8 / 10The intervals between shapes create a sense of tension and balance, drawing the viewer in.
SKU: PA-AW-CAN-intervalpr Category: Tag: Artist:

Every block in this picture is holding on to an edge. One of them isn’t.

A small pale celadon rectangle, floating out in the middle of an ochre field with nothing to lean on. Everything else is locked to a border, squared off, behaving. That one shape is loose.

Why that little green block matters

Cover it with your thumb and the whole thing goes flat. It becomes wallpaper. Take your thumb away and the picture suddenly has depth, because now you can tell the gaps were measured. The rule you half-sensed is real. The spacing isn’t decoration, it’s the point.

That is Alex Ward’s whole approach. He calls it structural chromatics, and the interval between shapes is the subject, not the shapes themselves. Flat colour, absolutely clean edges, no brush marks anywhere. Ruby put it well: “The intervals between shapes create a sense of tension and balance, drawing the viewer in.”

What it does to a room

It settles things. A wall that felt slightly unfinished stops feeling that way. Nothing competes with your furniture, your books, your kitchen clutter. It just holds its corner and makes the rest of the room look intentional.

Designers buy this kind of work in twos and threes for a reason. It agrees with everything.

Getting it up there

Landscape canvas, stretched over solid wood an inch and a quarter deep, and the image wraps the sides so the edges look right from an angle. It arrives ready to hang. One nail, two minutes, no framer and no surprise bill. Matte all over, so a window across the room gives you the picture back instead of your own reflection.

16×12 in (41 x 30 cm) is $129. The 24×18 (61 x 46 cm) is preselected at $149 and suits most walls. 32×24 (61 x 45.7 cm) is $229 if you want it to lead the room. A high quality print of a digital artwork, made to order, free shipping in the continental US.

One honest thing

This is quiet work. One critic said it doesn’t quite command a second glance, and if you want a picture that grabs people at the door, she’s right. This one rewards the people who look twice.

If that sounds like your kind of wall, take it home. If not yet, see what else Alex has built, or follow him and you’ll catch the next one early.

Weight N/A
Sizes 16 × 12 in · 24 × 18 in · 32 × 24 in
Canvas Cotton-polyester canvas with a matte coating, stretched on a 1.25 in radiata pine frame from renewable forests
Edges The image wraps around the sides. No white border, no frame needed
Finish Matte and non-reflective — safe to hang opposite a window
Hanging Hanging hardware on the back and rubber bumpers on the bottom corners; arrives ready to hang
Made in United States, made to order

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