Interval Proving Structure – Alex Ward | Fine Art Print

Price range: $129 through $229

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Sizes & materials

Stretched cotton canvas on a 38 mm wooden frame, matte surface. The image wraps the sides, so there is no white border at the edge, and it arrives ready to hang — no framing, no glass, no extra bill.

Sizes: 14 × 11 in · 20 × 16 in · 24 × 18 in.

Delivery

Made to order: your piece is printed after you buy it, which takes up to 10 business days and usually less, then travels in a rigid tube or a flat mailer.

Shipping is free everywhere in the continental United States, with no minimum. Alaska, Hawaii and the US territories are a flat $12. We also ship to 33 countries, including Canada, the United Kingdom, Germany and Australia, at a flat $29, shown at checkout. Downloads are available worldwide.

Returns

If a print arrives damaged, or is not what you ordered, tell us within 14 days and we will replace it or refund you in full. Because every print is made to order, we cannot accept change-of-mind returns on printed pieces.

Questions before you buy? Ask Sophie.

SKU: PA-AW-CAN-intervalpr Category: Tag: Artist:

Every block in this picture is holding on to an edge. One of them isn’t.

A small pale celadon rectangle, floating out in the middle of an ochre field with nothing to lean on. Everything else is locked to a border, squared off, behaving. That one shape is loose.

Why that little green block matters

Cover it with your thumb and the whole thing goes flat. It becomes wallpaper. Take your thumb away and the picture suddenly has depth, because now you can tell the gaps were measured. The rule you half-sensed is real. The spacing isn’t decoration, it’s the point.

That is Alex Ward’s whole approach. He calls it structural chromatics, and the interval between shapes is the subject, not the shapes themselves. Flat colour, absolutely clean edges, no brush marks anywhere. Ruby put it well: “The intervals between shapes create a sense of tension and balance, drawing the viewer in.”

What it does to a room

It settles things. A wall that felt slightly unfinished stops feeling that way. Nothing competes with your furniture, your books, your kitchen clutter. It just holds its corner and makes the rest of the room look intentional.

Designers buy this kind of work in twos and threes for a reason. It agrees with everything.

Getting it up there

Landscape canvas, stretched over solid wood an inch and a quarter deep, and the image wraps the sides so the edges look right from an angle. It arrives ready to hang. One nail, two minutes, no framer and no surprise bill. Matte all over, so a window across the room gives you the picture back instead of your own reflection.

14×11 in (35.6 x 27.9 cm) is $129. The 20×16 (50.8 x 40.6 cm) is preselected at $149 and suits most walls. 24×18 (61 x 45.7 cm) is $229 if you want it to lead the room. A high quality print of a digital artwork, made to order, free shipping in the continental US.

One honest thing

This is quiet work. One critic said it doesn’t quite command a second glance, and if you want a picture that grabs people at the door, she’s right. This one rewards the people who look twice.

If that sounds like your kind of wall, take it home. If not yet, see what else Alex has built, or follow him and you’ll catch the next one early.

Weight N/A
Print sizes 11 × 14 in (28 × 36 cm) · 16 × 20 in (41 × 51 cm) · 18 × 24 in (46 × 61 cm)
Paper Heavyweight matte fine art paper
Inks Pigment inks, for depth in the darks and long-term colour stability
Finish Matte and non-reflective — safe to hang opposite a window
Borders Printed edge to edge. No white border, no mount
Ships as Rolled in a protective tube, unframed
Made in United States, printed to order