Every artist here works in one style and only one, and each of those styles has a name you will not find in another gallery. They are not movements borrowed from art history — they describe exactly what the artist makes, so you can tell before you click whether a piece is going to be for you.
Bloom Profile
by Naomi Brooks
Bold contour profiles with rich deep skin tones, hair and air blooming into loose brushed colour, flat New York grounds, the likeness withheld.
Café Fauve
Fauve-saturated dancers and musicians caught mid-movement in Riviera cafés, patterned fabric, linen weave, knife accents carrying the motion.
Grey Burst
by Kai Reynolds
Hard-edged grey vector subjects with one saturated aerosol-and-pour eruption, London greys with Lagos colour, exactly one burst per piece.
Harbour Impasto
Palette-knife harbour towns at lamplight, stacked terracotta and ochre houses over water, reflected lights in knife-dragged ridges, warm orange against deep blue.
Hidden Dusk
Luminous dusk scenes glazed from dark to light, one glowing source, a second image hidden in the reflections and negative space, Beaux-Arts drawing under dream logic.
Lantern Path
by Yuki Tanaka
Rain-lit lantern paths in Kyoto and Tokyo, maple reds and cherry pinks against indigo, knife-textured reflections on wet stone, one small distant figure with an umbrella.
Loud Line
by Chris Vega
Thick black brush-line cartoon figures and animals over spray-colour fields, one hand-lettered bilingual phrase painted into the picture, LA street pleasures, humour with a heart.
Nordlys Flow
Poured aurora flows over Nordic water, two or three sharp realist elements on a low horizon, pale gold and cold blue lit by green and magenta, a great deal of sky.
Scale Expressionism
by Anya Volkov
Four-metre scale, explosive gestural brushwork, daring colour fields, thick physical impasto, emotional arc rather than composition.
Stencil Miami
by Luna Vasquez
Spray-stencil figures on cracked pastel Miami plaster, one hot colour, one deadpan joke about Cuban-American life per piece.
Structural Chromatics
by Alex Ward
Hard-edge geometry, calculated colour blocks, architectural proportion and grid, flat matte surfaces, impossible but rigorous structures.
Velvet Absurd
by Zara Moon
Staged theatrical surrealism with a single glitched element, one inverted rule per scene, props as vocabulary, the title as the clue, velvet-dark grounds.