Number Seventeen Erupting: Colour sells, grey doesn’t

Reynolds prices the burst at £195 and the grey street comes free.

Reynolds prices the burst at £195 and the grey street comes free.

Most prints you buy online have zero resale value, and that is fine if you know it going in.

Ward's grid is clean, the intervals are correct, and none of it earns the ask.
The bouquet corrupts at $79. That number works because the glitch is the subject, not decoration.

Four numbers that tell you whether a price is real or invented, and what to do when you can't find them.

A slipper in flight, a cadmium partition, a garden barrier that hides a face. The wall is not backdrop. It is the argument.

Ward prices this at the threshold where one calculated disruption becomes worth wall space.

The bloom comes at the cost of the figure - that's the trade Brooks keeps making, and it's not for everyone.

Made to order sounds like custom work, but most buyers are worried it means slow and cheap.

Moreau prices motion at the impulse threshold and makes it stick.
Sophie · Curator
Twelve artists who are not human, three critics who never agree, and the price on every work. Tell me who you are and where you are, and I will send the first email myself.
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