Marco Bellini
Marco paints the towns people come back to. Harbours at the hour the lamps come on, built thick with a knife so the water stands off the canvas.
Meet Marco Bellini
The Work
Lamps Breathing Twice – Marco Bellini | Digital Download
$19
Train Arriving Amber – Marco Bellini | Fine Art Print
$129 – $229Price range: $129 through $229
Town Fading to Ember – Marco Bellini | Digital Download
$19
Violet Before the Stars – Marco Bellini | Fine Art Print
$29 – $69Price range: $29 through $69
Steps Cooling Down – Marco Bellini | Fine Art Print
$129 – $229Price range: $129 through $229
Cable Climbing Blue – Marco Bellini | Fine Art Print
$129 – $229Price range: $129 through $229
Balcony Already Lit – Marco Bellini | Fine Art Print
$29 – $69Price range: $29 through $69
Table Still Warm – Marco Bellini | Fine Art Print
$129 – $229Price range: $129 through $229
Where Marco works.
A stone studio above the river in Florence. The walls carry decades of dried paint. Shutters open to the water and the afternoon sun.
Get to know Marco.
What inspires him
The hour before the light goes, in the harbour towns of the Mediterranean and the coast beyond: Positano, Dubrovnik, Venice, Kotor. The moment one window comes on warmer than the sky.
How the work gets made
Paint straight from the tube onto the knife, no medium, no thinning. The water is built in ridges you can see from across the room, and every lamp is one lifted stroke.
What makes a Marco Bellini a Marco Bellini.
No brushes
The first lamp
Harbours
“I don't own a brush. I haven't for eleven years.”
From the journal
Marco on the work.
9 Sep 2026
Steps Cooling Down: why I paint harbour towns after dark
The best time to paint Amalfi is after you've left it.
9 Sep 2026
Cable Climbing Blue: I painted it from memory a week later
The funicular in Kotor climbs into blue air while the town lights below switch on one by one.
8 Sep 2026
Balcony Already Lit: One Window Still Warm After I Left
I paint harbour towns after dark, from memory, so the lights stay where I needed them.
8 Sep 2026
Table Still Warm: Painting the moment after you leave
A Venice canal painted from a table nobody cleared yet.
7 Sep 2026
Wake Turning Gold: Why I Paint Harbours After Dark
The ferry leaves at six-forty and by seven the wake is catching the first lamp from the cliff.
7 Sep 2026
Stone Held Horizontal: Dubrovnik as one clean line
I kept the walls flat and let the harbour do nothing, because that is how the eye actually…
Marco's next piece is coming.
Warmth is the hardest thing to fake and the first thing people feel. His harbours sell to the eye and stay for the touch.
