Pine Watching Magenta: Why I Left the Tree That Small

Most painters give the tree half the canvas. I gave it a sixteenth.

Most painters give the tree half the canvas. I gave it a sixteenth.

The boat is not watching the sky—it is the one thing that does not move while everything above it does.

A woman reading on a stoop, the colour lifting off her into air—this is the fourth time I have painted this exact angle and I still do not know her name.

The Staten Island ferry crossing became the portrait when I let the braids move.

The keyhole hides in the reflection until you tilt your head, and then you can't unsee it.

Luna Vasquez puts an electric turquoise boombox on a woman in slippers, and the paper makes both sing.

Delacroix glazes light the way a Baroque master would glaze flesh, but the eye watching back belongs to no tradition she inherited.

Bellini's knife work places him squarely in the tradition that runs from Impressionist harbours through the Italian colorists.

A red boathouse under green fire at an entry price that won't last.

Strong movement, strong price point, and Moreau knows exactly which corner of the café market she owns.
Sophie · Curator
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