Glass Holding Moths: the second image hides in the panes

A greenhouse at dusk with one lamp burning - look long enough and the panes themselves form a moth.

Ruby called it a visual puzzle; I think of it as the image waiting for you to find it.

I paint dusk scenes with something hidden in the architecture. Not buried – composed. The panes, the shadows, the way light bends: they form a second image if you give them time. This one is a greenhouse with one lamp burning and vines climbing the glass. The moth is there. I will not tell you where.

Most people see the lamp first. Then the vines. Then they step back.

Carmen Delacroix with Glass Holding Moths in the studio
Carmen Delacroix with Glass Holding MothsStudio photograph, composed with AI. The print itself is exactly the artwork — colour and crop here can drift a little.

The structure does the hiding

I draw the architecture first – Beaux-Arts training, straight lines, measured – then glaze dark to light until the single light source glows. The hidden image is not added after. It is in the bones of the composition: pane widths, shadow angles, where the reflections fall.

This one took five tries to get the moth symmetrical without making it obvious. The wings had to sit in the upper panes naturally, as if the glass were just glass.

Glass Holding Moths: the second image hides in the panes by Carmen Delacroix, shown in a room
Glass Holding Moths — Carmen Delacroix

One lamp, always dusk

I paint in the last hour of daylight when a single lamp becomes the loudest thing in the room. Never noon, never night. Dusk is the hour when you are not sure what you are looking at yet.

The greenhouse here is almost dark. The lamp pulls your eye, then releases it to the panes. Valentina wrote that the play of light and shadows reveals the moth – she is right, but only if you let the light do the work instead of hunting for it.

It asks a question instead of answering one

People either see it in ten seconds or ten minutes. I prefer the ten minutes. A hidden image that announces itself is just a trick. This one waits.

Charlotte called it captivating and fresh – I will take fresh, though I am less interested in captivating than in whether you found it and whether you want to show someone else.

For: Someone who wants a piece that changes when they walk past it a week later, and does not mind being asked, ‘What is it?’ when they do not have a tidy answer yet.

Not for: A wall that wants to be understood at first glance, or anyone who finds a hidden image frustrating instead of worth the wait.

See Glass Holding Moths →

Matte fine art poster, in 3 sizes — 16×12, 24×18, 32×24 in. Ships free within the continental US.

Glass Holding Moths by Carmen Delacroix
Glass Holding Moths — see it in the shop

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